I was drawn to Epic: Legends of Fantasy by two names: Brandon Sanderson and Patrick Rothfuss. I confess I was slightly disappointed to find that the selections from those two personal favorites were excerpts from novels I had already read, but their inclusion served its purpose well. I wasn’t familiar with the other works in the anthology, so this proved to be a great introduction. I wouldn’t have looked into Aliette de Bodard or Paolo Bacigalupi otherwise, and their stories stood out from this top notch collection. I really enjoyed the lead story by Robin Hobb, and it was good to read a story by Mary Robinette Kowal, one of the Writing Excuses podcasters. I also liked Melanie Rawn’s “Mother of All Russiya” and Kate Elliott’s “Riding the Shore of the River of Death.” I was drawn in by familiar authors, but what I’m taking away is that there plenty more fantasy writers, female fantasy writers in particular, with whom I ought to be more familiar. As the editor John Joseph Adams states in the preface, “Epic fantasy has become the literature of more.” After reading this anthology I have to agree!
Archive for Charlene Brusso
I got to the polls right when they opened on Election Day so I could spend the evening at a Brandon Sanderson reading and signing. The event was held at Weller Book Works, and it was my first visit to the new Trolley Square location. I got there early so I could browse and get a feel for the new layout. I’m glad I did, as it is a great set up and because Sanderson volunteered to field some questions before the event officially began.
The appearance was to promote his latest release, The Emperor’s Soul, but he took questions on all of his books. He declined to answer some questions about the Wheel of Time finale, and one woman asked a question on grooming habits that he honestly couldn’t answer. Aside from that he was affable and generous with his time, taking more questions after the reading and soliciting questions from fans as he signed all of the many books put before him (I had him sign my hardcover copy of The Alloy of Law, as it has been awhile since I’ve been able to attend one of his signings). Sanderson is not only a popular author, he’s also a personable author.
Completing Robert Jordan’s Wheel of Time series has been a tremendous opportunity for him, but doing so has taken a great deal of his writing time. He was concerned that 2012 would mark the first time he wouldn’t have an original work released since 2005, so he conceived The Emperor’s Soul on a trip back from appearing in Taiwan. He worked on it in the interim while A Memory of Light was in the final stages of editing, and it was released this month in a trade paperback from Tachyon Publications. When I learned of the book’s impending release I contacted Charlene Brusso at Tachyon to request an advance copy, which she sent along with Epic: Legends of Fantasy, an anthology that includes an excerpt from The Way of Kings, and Wonders of the Invisible World by Patricia A. McKillip. I got it signed by the author, and he numbered it #45.
Although he was promoting The Emperor’s Soul, he did not read from it. Instead he read from the first draft of the second book in The Stormlight Archive! Now that AMOL is finished he has resumed work on his own mega-series, and we got to hear a section with a new viewpoint character! That was an exciting extra feature for attending the event; Sanderson really goes out of his way to support the brick-and-mortar stores in return for promoting his work. Customers who bought print copies of the book were invited to e-mail proof to Sanderson’s website to receive a free copy of the e-book; he isn’t shying away from digital editions, but he sees the two forms as complementary.
Leading up to the event I listened to the audiobook version of Legion, a novella Sanderson published with Subterranean Press in August. Because audible.com is a sponsor of the Writing Excuses podcasts that Sanderson produces with three other writers, the site is currently offering free downloads of Legion. I took advantage of the offer, and I enjoyed Oliver Wyman’s narration of the story. Legion is about a character with multiple personalities with whom he interacts, and Wyman performs all the voices distinctly without it being obtrusive. The story itself is brief, which is uncommon for Sanderson’s writing. He explained that he originally pitched the idea to Dan Wells, another member of the Writing Excuses team, before deciding to write it himself. It’s written as a pitch for a tv series, so it should be read not as a finished tale, but as a pilot episode. In that vein it succeeds, and I look forward to the series being created.
I finished listening to Legion while waiting in line to have my books signed, so I switched over to an episode of Writing Excuses. It was slightly surreal to listen to a recording of Sanderson giving advice while waiting in line to speak with him, but I couldn’t get enough! When that was over I began reading The Emperor’s Soul (not much in advance, admittedly). That made it difficult to concentrate on writing while waiting for the train, but, in the spirit of NaNoWriMo, I compensated. I was able to keep my word count creeping up and still find the odd moment to read, somewhat in the manner that the book was written. Inspired by a visit to a national museum in Taiwan, Sanderson created a system of magic that employs stamps that can rewrite the history of an object. What would happen to a person if their history was rewritten? And what if that person was the Emperor? Shai is a Forger facing execution for her crimes, but an assassination attempt on the Emperor grants her a stay of execution for 90 days while she replicates the Emperor’s soul. Sanderson’s magic systems always impress, but this shorter form forced him to leave out some of his own hallmarks, such as a prologue that showed a conversation between Shai and Hoid, an inimitable character who finds his way into most of Sanderson’s novels. He loved the scene, but it did not fit the story so it had to be cut. At the other end the story has no twist ending, which was hard for me to accept. Only when I listened to his explanation on Writing Excuses did I come to terms with the straightforward ending that satisfies the characters’ arcs.
I rounded out my reading of his short fiction with the e-book Firstborn. Originally released as a Kindle edition in 2008, it was later re-released by Tor in a DRM-free format. I purchased it on my nook color and read it on an iPad. I’m not accustomed to reading on digital devices yet, but it was the simplest way of acquiring this particular story. Firstborn is a different venture for Sanderson as well, as it is short form science fiction. It’s a story about a second son who lives in the shadow of his older brother’s burnished star. The firstborn is a military genius with an unblemished record, while the younger brother has nothing but blemishes and blunders on his record. That won’t cut it for the son of a High Duke; greatness is thrust upon him, only to slip out of his hands and shatter on the floor. He tries to live up to the expectations, but he knows his own limitations. Is it possible he might know the limitations of his unbeatable brother, too? This story does have the twist ending I’ve come to expect from Brandon Sanderson, and he never disappoints.
I owe Charlene Brusso of Tachyon Publications for bringing Wonders of the Invisible World into my line of sight. I contacted her about getting an advance copy of The Emperor’s Soul, a new book by Brandon Sanderson, which she graciously sent me. Then she asked if I would like advances of two collections: Wonders of the Invisible World and Epic. I answered in the affirmative and she sent them along as well. I’m grateful for her suggestion, as I wouldn’t have picked them up otherwise. This cover art by Thomas Canty doesn’t grab me the same way the captivating cover of The Stress of Her Regard stopped me dead in my catalog-perusing tracks, but it is a lovely fit for these enchanting stories by Patricia A. McKillip. She’s a multiple-award winning author, but I must confess my ignorance of her writing until now. This isn’t the sort of book I would pick up in my own short-sightedness; it’s also the sort of magical realism I truly enjoy. It’s the magic burbling up from the timeless wells deep under the earth. It’s the magic just below the surface of a painting or a pool. It’s the unseen magic of the ordinary that is more believable than the scientific explanation of a phenomenon. It’s the ancient magic of youth. It’s the magic of creation and curses. It’s the magic just beyond our view, and I’m glad to have caught a glimpse of it.
The Stress of Her Regard by Tim Powers is one of my favorite books, so I was decidedly intrigued when I learned that he had written a postscript novella, A Time to Cast Away Stones. Tachyon Publications has released a new collection of stories by Powers, including the novella, entitled The Bible Repairman and Other Stories. I was tempted to jump straight to the end to read the novella, but I opted to save the best for last. Upon reading I found that the introduction by the author and his comments on each story’s inception may in fact be the best part of this fascinating collection! The stories are wonderful (I particularly enjoyed “A Soul in a Bottle”), but the aspiring author in me was thrilled with the vignettes which accompanied each tale. The notion that a story could originate with the author’s frustration at being born two years after the death of a celebrated poet appealed to the creative-destructive dark vein in me.
Powers found inspiration in the exploits of Edward John Trelawny for A Time to Cast Away Stones. Trelawny was acquainted with Byron and Shelley, and made an appearance in The Stress of Her Regard. He greatly embellished his own role in history, so it is fitting that Powers took one of his truly unusual adventures and incorporated it into the supernatural realm of the nephelim. Just as The Stress of Her Regard prompted me to read the works of Keats, Byron, and Shelley, so A Time to Cast Away Stones has piqued my curiosity in Powers’ as-yet-untitled new novel featuring Trelawny in his later years.