I was not one of the fans led astray by schedule mix ups on the Salt Lake Comic Con app, but then I couldn’t get it to open a majority of the time. Users overloaded both the app and the website on Friday, so that’s a tech enhancement request for next year’s conventions. As for this year’s RFID wristbands, I made sure I picked mine up and activated it in advance. Upon entering the press entrance Thursday morning, I gave the registration line a sidelong smirk and went straight to the scanning station – which was not yet operational. The volunteers fidgeted with it fruitlessly, and, after waiting an acceptable amount of time, I asked if we could simply use another station to scan our bands. I explained that we were all there for the opening press conference, but this volunteer didn’t know where that was held. I told him it was in the ballroom on the other end of the Salt Palace, where many scanners were set up, and he let us through. When I left later that day, I asked another volunteer if I was supposed to scan out – seemed like a sensible way to keep track of the number of people in the building at any given time – but she didn’t know. When the website was functional, it stated that scanning in and out was necessary.
The press conference was less of a production this year. Gone were the TARDIS entrance, the live painting, and the Make-A-Wish kids. For a convention promoting #EPIC, the press conference really wasn’t. The celebrity guests weren’t prepared to be introduced all at once, and shuffled on stage holding coffee cups and rubbing their eyes in the lights. Except for the exceptional Marina Sirtis, who wandered out onto the stage without a proper introduction. She announced her guest narrating with the Utah Symphony at Abravanel Hall the next two nights (following the Michael Lewis event), and Dan Farr shared an anecdote about Sirtis (a repeat guest) talking up Salt Lake to the manager of Chris Evans and Hayley Atwell, guests who appeared later in the convention. I did not have any questions for the assembled guests, but I did snap a photo of someone in a Carnage suit interviewing Richard Hatch.
Friday I started my panel-going with a session on how to get your novel published. The aforementioned Richard Hatch was on the panel, and I jotted down the scant tips he was able to mention before the Winner twins took over. Somehow their story of being dyslexic-but-adorable twelve-year-old twin girls didn’t seem applicable to my publishing pursuits. On my way to the Salt Palace that morning I listened to a Writing Excuses podcast on how to be a good panelist and a great moderator; it’s episode 37 from season 10, and should be mandatory listening for the writing panels. I found myself no closer to getting published, but I was able to find a cosplayer (Bioshock) to pose with this fall’s book from Tachyon Publications: Led Astray, the best of Kelley Armstrong. I also found out that Steve Diamond, who lives in my neighborhood, is also an author! He was promoting his book Residue in the large booth with Kevin J. Anderson.
My next panel was exponentially more entertaining, as Maurice LaMarche joined Jess Harnell, Tress MacNeille, and Rob Paulsen from the Animaniacs! LaMarche is the voice talent behind The Brain, Yosemite Sam, Morbo, Kif, and Calculon (Futurama), and the Lexus commercials. Harnell is the voice of Wakko and dozens of video game characters. Paulsen is Yakko and Pinky, as well as Donatello. MacNeille, who is the most versatile according to the others, is the voice of Dot, Hello Nurse, Babs Bunny, Daisy Duck, Agnes Skinner from The Simpsons, Mom from Futurama, and many more. Their panel was opposite Sean Astin (voice of Raphael), making me doubly glad I saw him at Fantasy Con last year. The synergy between the four actors was amazing, as they repeatedly set one another up to shine. I missed nearly all of the best sound bites, but I was overjoyed to get a recording of LaMarche talking about the Pinky and the Brain Christmas Special, which is one of our family’s traditions on Christmas Eve!